[N712.Ebook] Free Ebook Timeless Wire Weaving: The Complete Course, by Lisa Barth

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Timeless Wire Weaving focuses on developing wirework skills through 13 projects using three classic wire weaving techniques: coiling, wrapping, and weaving. The projects are built around a focal cabochon and incorporate seed beads and crystals in imaginative ways. Designers learn to make the jewelry shown in the book, and they also use the techniques learned to create innovative jewelry pieces of their own.

• Sales Rank: #15053 in Books
• Published on: 2014-10-07
• Original language: English
• Number of items: 1
• Dimensions: 11.00" h x 8.25" w x .25" l, .80 pounds
• Binding: Paperback
• 96 pages

About the Author
Lisa Barth is a wire-jewelry artist, author, teacher, photographer, and certified senior-level metal clay instructor from Atlanta. Her work has been published in several magazines and compilation books and she has presented it on live television. She lives in Lawrenceville, GA.

Most helpful customer reviews

90 of 92 people found the following review helpful.
I have waited patiently for 6 months and I am so glad to finally have it
By Chelsea H
I preordered this book way back in April after having purchased a few of Lisa's tutorials from Etsy. I have waited patiently for 6 months and I am so glad to finally have it!

Nitty gritty about the book: The tutorials are very well laid out starting with a brief description of the tools you will need, wire, their gauges, and which tempers she prefers to use in her weaving and why. She then teaches you about each weave she will use in the book as well as her method for teaching them to you. She includes recipes for both lump and gel liver of sulfur and while she does not show all of her projects finished with this patina, you can see what kind of beauty it can add to the depth of a piece when the steps she gives you are done. Some of her pieces are left to patina on their own naturally and look just as stunning. There is also a whole section devoted to some of the techniques she uses to finish her pieces (which you can see just on the one cuff on the cover as an example.) She shows how to make her style of "gooseneck" hook closures as well as the way she embellishes her jewelry with beads.

The book is then separated into project chapters by difficulty (beginner, intermediate, and advanced) with each difficulty having 4 projects in each and the advanced one having 5 projects. Followed lastly by a smaller gallery showcase of her work. Now I do say "smaller gallery" of her work because in the 3 years that I have been following her work, she has amassed a crazy amount of work that could fit many, many more pages than they had included. I wish they would have included just a few more of her works as her work is just incredible.

For those that may be intimidated by the thought of trying this style of wirework out, let me say this: Lisa has made it very, very approachable! There are step by step pictures and thorough explanations for each tutorial. Each and every one of these projects is doable. There are projects that use cabochons and instead of using cabochons that you will never see that size of or a cabochon that you will never ever find, Lisa not only uses somewhat standard size cabochons, she tells you how to upsize or downsize the pattern of the wirework to make it fit the cabochon that you are using. This, to me, is highly important!

If you are just starting out and this is your first time wire working and you want to see results fast, I would recommend starting with Spiral Woven Hoops. It is the very first project in the book and it was one of the projects that I had happened to purchase from her Etsy store. They do not take long to make, but they look like you spent hours on. They also teach you some really great basics on weaving and controlling your wire.

There are not enough great things that I can say about the book and the author. There were not a lot of negatives I could say other than what I had pointed out, such as wishing there were a few more pictures of some of her work. I would have loved for them to include, for instance, a couple variations the "Mirror Image Bracelet." This bracelet has the ability to have so many variations depending on stone placement and weave placement based on just how you weave it. I learned that just by seeing some of Lisa's work on other sites.

I hope my review helps someone who may be on the fence on whether to get this book or not. For me, it was worth every second I waited for it. :)

30 of 31 people found the following review helpful.
My husband kept saying her wire work was sexy...
By Amazon Customer
Fantastic book. I'd recommend it to anyone looking to learn wire weaving. I had to buy the book. My husband a jewelry artist of more than 30 years who does not appreciate wire wrap or wire weave, kept looking over my shoulder when I was looking at Lisa Barth's latest designs and uttering words like, "wow! I like that one, it's sexy!". A jewelry artist in my own right and a teacher, I was getting a little jealous. He always complimented me on my work but never said my work was "sexy". I had to do something! I bought the book and I would recommend it to eveyone. Bring the sexy into your wire work. Lisa Barth does introduce wire weaving to anyone who is willing to learn. Her step by step is easy to follow and soon your significant others will be saying, "wow, that's sexy" too.

I first saw her work on facebook. I stumbled upon one of her pieces on a facebook group. I'm not sure which one. Here is a link to her facebook page in case you'd like to look her up and see what she is currently producing https://www.facebook.com/lisa.l.barth .

37 of 38 people found the following review helpful.
This book is well laid out with beautiful photographs of both finished work and the steps involved ...
By R. J. Bednarek
Several months ago I discovered Lisa Barth's wire work and patiently waited for this book to arrive. It was well worth the wait! I've worked with wire weaving on my own for several years and, when I discovered Lisa's work, I wanted to learn more from her. She uses several weaving techniques I've seen elsewhere but never combined in such an elegant fashion. This book is well laid out with beautiful photographs of both finished work and the steps involved in making such work. In her introduction, she mentions that one of her goals is to take the "intimidation" out of learning how to work with wire; not all artists want others to know their secrets. This book covers the tools and materials needed, the basic weaves, and a series of projects from beginning to more advanced. Everything is clearly laid out and explained; very user friendly for a beginner or someone more experienced but wanting to hone their craft. I particularly love the step by step photographs; it's the closest you will come to taking an actual class with Lisa. Thank you for sharing your talent and expertise with the rest of us; I can't wait to get started!

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[M582.Ebook] Free Ebook Ancestors of the Lake: Art of Lake Sentani and Humboldt Bay, New Guinea (Menil Collection)From The Menil Collection

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After Dutch expeditions reached New Guinea's Lake Sentani island and Humboldt Bay in the mid-1800s, Western visitors began collecting works by local artists. Ancestors of the Lake is a stunning look at the region's distinctive art, such as its highly stylized wooden sculptures and decoratively and abstractly designed barkcloths. This beautifully illustrated volume brings together many of these important historic pieces for the first time, including the landmark collection of French writer and art dealer Jacques Viot, along with photographs by Paul Wirz. The book also explores how European Surrealist artists found inspiration in the art of New Guinea, highlighted by rarely seen photographs by Man Ray of Sentani sculpture.

• Sales Rank: #3051942 in Books
• Published on: 2011-07-06
• Original language: English
• Number of items: 1
• Dimensions: 11.10" h x .90" w x 9.10" l, 2.40 pounds
• Binding: Hardcover
• 136 pages

Review
“A gorgeous, must-have book.” —The New York Times (The New York Times)

Selected as the winner of this year's Prix International du Livre d'Art Tribal, International Tribal Book Prize (UK Award) (Prix International du Livre d’Art Tribal Tribal Art & Sotheby's 2012-01-12)

"[A] highly informative catalogue."—A.J. Stone, Choice (A.J. Stone Choice)

About the Author
Virginia-Lee Webb is an art historian and retired Research Curator at The Metropolitan Museum of Art.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Art of Lake Santani & Humboldt Bay
By James I. Cole
Hardback with DJ, English Edition, 11" x 9", 136 Pages, color & b/w photos, ISBN 978-0-300-16610-1, Ancestors Of The Lake - Art Of Lake Sentani and Humboldt Bay, New Guinea, The Menil Collection. Edited by Virginia-Lee Webb. Published by The Yale University Press, 2011.

English edition is recipient of the 2011 award "Le Prix International Du Livre D'Art Tribal"

The first 69 pages consist of essays about Lake Sentani & Humboldt Bay art, and the balance of the book is the "catalogue" featuring 48 objects and photos from the area concerned.(Includes 8 "Maro" barkcloth paintings). Not a great book, but I gave it 4 stars over 3 stars because it's good to see specialty books on this area's art.

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[E510.Ebook] PDF Ebook Man, Interrupted: Why Young Men are Struggling & What We Can Do About It, by Philip Zimbardo, Nikita Coulombe

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In 2011, Philip Zimbardo gave a TED Talk called "The Demise of Guys," which has been viewed by over 1.8 million people. A TED eBook short followed that chronicled how in record numbers men are flaming out academically and failing socially and sexually with women. This new book is an expansion of that brief polemic based on Zimbardo's observations, research, and the survey that was completed by over 20,000 viewers of the original TED Talk. The premise here is that we are facing a not-so-brave new world; a world in which young men are getting left behind. Philip Zimbardo and Nikita Coulombe say that an addiction to video games and online porn have created a generation of shy, socially awkward, emotionally removed, and risk-adverse young men who are unable (and unwilling) to navigate the complexities and risks inherent to real-life relationships, school, and employment. Taking a critical look at a problem that is tearing at families and societies everywhere, "Man, Interrupted" suggests that our young men are suffering from a new form of "arousal addiction," and introduce a bold new plan for getting them back on track. The concluding chapters offer a set of solutions that can be affected by different segments of society including schools, parents, and young men themselves. Filled with telling anecdotes, results of fascinating research, perceptive analysis, and concrete suggestions for change, Man, Interrupted is a book for our time. It is a book that informs, challenges, and ultimately inspires.

• Sales Rank: #117701 in Books
• Published on: 2016-04-01
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .88" w x 6.00" l, .0 pounds
• Binding: Paperback
• 352 pages

Review
"In this entertaining, sobering, and thought-provoking book, Dr. Zimbardo bravely and wisely calls attention to the spreading crisis afflicting many of America's young men." -Roy Baumeister, author of Is There Anything Good About Men? and Willpower

"What this book might lack in causal clarity, it makes up for with lucid and compassionate solutions for improving the lives of young men." -Publishers Weekly

"Man Interrupted: Why Young Men Are Struggling And What We Can Do About It is a compassionate look at the phenomenon of young men disappearing into the virtual worlds of videogaming and porn -- to the detriment of everyone. Authors Zimbardo and Coulombe don't simply supply evidence of the risks and benefits of today's hyper-alluring technologies. They also tackle contributing factors, such as absent dads, failing schools, environmental toxins, economic realities, etc., and offer a range of suggestions for parents, media, governments, men, women and schools." --Gary Wilson, author of Your Brain On Porn: Internet Pornography and the Emerging Science of Addiction

"Man, Interrupted is the most important book I've read in years, given that it is thoroughly researched, well-organized, beautifully written, and outlines a problem that affects at least half the population of the country, if not everyone. Even more, it identifies the causes and suggests practical solutions. This book should be read by legislators, judges, politicians, parents, spouses and, well, men…all of them." --Michael Shermer, Publisher Skeptic magazine, columnist Scientific American, author of The Moral Arc

"Zimbardo has put his finger on a great challenge of the modern era, which is how to hang on to the social skills that humanity has accrued over centuries now that virtual reality has no need for them." --Eleanor Mills, The Sunday Times

About the Author
Philip George Zimbardo is a psychologist and a professor emeritus at Stanford University. He became well-known for his 1971 Stanford prison experiment and has since authored various introductory psychology books, textbooks for college students, and other notable works, including The Lucifer Effect, The Time Paradox, and Shyness. He is also the founder and president of the Heroic Imagination Project.

Nikita D. Coulombe is a writer and artist who worked with Philip Zimbardo for several years. Together they co-authored the TED eBook Demise of Guys. Passionate about understanding human nature, she co-founded the sex education blog, BetterSexEd.org.

Most helpful customer reviews

3 of 3 people found the following review helpful.
A Very Important Book About Our Ignored Boys
By J. Evans
This book touches on a very real problem in our society that has been heretofore ignored. Too many of our boys are floundering. They're not doing well in any aspect of life, and we as a society are going to pay a very high price for this.

Nearly every family in America has a boy or young man who is faltering. You know, the kid who has given up trying academically and socially in school, the one who nurses his depression in front of a screen in his room. There are millions of these boys out there, and no one really seems to care. Far from caring, most people mock these young men, labeling them losers for not being able to self-heal the problems that afflict them.

The authors do a creditable job of talking about the how and where, but I think they miss a bit on the why. The why has to do with depression and the general diminution of men in our society. Over the past generation, women have been elevated in our society while men have been turned into pariahs. The old roles--the protector, the provider, the adventurer--are considered laughable by contemporary opinion makers. That's why we see today's stereotypical man reduced to the caricature of the dopey fool. Turn on the TV at any point during the night and this is what you will see being presented. Young men can't help but absorb this message.

Not only that, but parents generally raise their boys with much less care than they spend on their daughters. I've seen this in my own family. Girls are nurtured and engaged in a way that the boys never are. Boys are still seen by most parents as problems-in-waiting, incorrigible mooks who need to be kept in line at all costs. Moreover, parents don't take their boys seriously the way they do their girls. They don't tell boys that they can achieve great things, and they don't tell treat them as budding adults, but rather as perpetual children. It's proven that kids will live up or down to whatever labels we assign to them, so it's no wonder that boys are largely living down to the unflattering tags that we've put on them over the last 30 years. We've treated them as problems, and that's what they've become.

Where the authors do a really great job is in detailing the dangers of porn and screen abuse in general. This is a very real issue, one that is not going away anytime soon. Moreover, it's an issue that isn't being widely addressed in society right now. The human brain simply was not engineered to deal with 500 channels of screaming HD content and high-speed internet. Effectively, this degree of stimulation is as powerful as a drug, one that has the power to alter the minds of all who are over-exposed. This issue presents a whole new set of challenges for society at large.

Some of the advice for raising boys is very good as well. Boys need a certain amount of structure and discipline imposed upon them. I think too many parents give up on their boys too easily. They worry about alienating them, so they don't even try to impose any structure in their lives. The authors strike a very appropriate tone here, advocating an approach somewhere between tough love and parental compassion. They point out, correctly, that boys develop self-esteem and pride through accomplishment, so the real path forward is through getting boys engaged in life. The other key point they make here is to get boys into the right environments to succeed, those in which academic achievement is lauded. When boys see that parents and classmates respect high achievement, they'll be more likely to devote themselves to their studies.

Overall, I highly recommend this book, though I do think it could've stood a re-write to polish it a bit more. The prose reads as though the authors were rushing to get this to press, and that does detract a bit from my overall impression of the book. But the message they're selling is spot-on. Definitely required reading for all parents!

3 of 3 people found the following review helpful.
Tough read as to the topic, but I think ...
By Love Bunny
Tough read as to the topic, but I think it gives an accurate view of young men's struggles in American culture.

1 of 1 people found the following review helpful.
This was a must read for me!
By prefcomm
Amazing book. I recommend it for everyone.

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[X122.Ebook] Free PDF The Difference Heaven Makes: Rehearing the Gospel As News, by Christopher Morse

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A fresh investigation into the Gospel news of heaven, by one of America's most prominent theologians. By focusing upon a rehearing of the Gospel news of heaven today, Christopher Morse invites readers to exercise a "post-modern permission" to listen to this testimony without either the usual modernist earplugs or an uncritical post-modern "make believe."

Without attempting to retrace the history of images and interpretations of heaven, Morse seeks rather to draw upon this background to get to the heart of the issue of modern eschatological and apocalyptic discussion by proposing in the foreground a "thought experiment." If we hear of heaven as that which is now at hand and coming to pass, in contrast to what Paul calls "the form of this world that is passing away," how significant would the consequences be? Morse proceeds to conduct such a retrial of the news of heaven and its present day credibility by considering the influential legacy of a twentieth century trajectory of theology that responded to the provocative claims of Johannes Weiss.

The Difference Heaven Makes is rewarding reading, both for those who may be well versed in this theological background, as well as for others who may be less so, but who nevertheless share equally an interest in giving fresh attention to the "So what?" question of heaven.

• Sales Rank: #749055 in Books
• Brand: Brand: Bloomsbury TnT Clark
• Published on: 2010-04-09
• Released on: 2010-04-09
• Original language: English
• Number of items: 1
• Dimensions: 8.53" h x .44" w x 5.51" l, .48 pounds
• Binding: Paperback
• 160 pages

Features

• Used Book in Good Condition

Review
'Those who wrestle with speaking of God today will find a powerful stimulus in Christopher Morse's tightly argued contribution to biblical and systematic theology. Small shifts of language open up new vistas on the credibility of Christian hope and human life shaped by it, drawing the reader into an intimate and life-enhancing conversation.' — Robert Morgan, Linacre College, Oxford, UK (Robert Morgan)

'Tracing the contours of that heaven of which the gospel tells, Christopher Morse shows himself once again to be a consummate teacher of the art of discernment. Gently, boldly, clearly and profoundly, he helps us to hear afresh the good news about heaven's coming for the sake of a more vivid faith, courageous service and abiding hope. The result is a work of distinctive value to scholars, students and preachers. Surely we may count Morse amongst those students of the scriptures who, having gone to school with the kingdom of heaven, bring forth treasures both new and old. For this book is just such a treasure.' - Philip G. Ziegler, University of Aberdeen (Philip G. Ziegler)

'The church hears every week the references to heaven that abound in scripture and in Christian prayers and confessions. Members of the church also hear and employ in their own conversation references to heaven that are fundamentally at home in our general culture. How are we to relate to one another these two sets of references with their significant differences? Consider, for example, the matter of movement. Leaving behind infantile, otherworldly visions of golden streets and spacious mansions in the sky, are we still to focus our attention on our own journey, thinking however metaphorically of heaven as the better place to which we hope to go when we die? Or in the context of God's own good news, do we confess a radically different line of movement? When we confidently pray, "Thy kingdom come, "do we confess that in God's gracious initiative heaven is now coming toward us, being the state of affairs that is "at hand" in the sense of its taking shape among us now as the determining constituent of the real world? And does it follow that instead of having as its fundamental opposite a hell that is the dreaded hereafter, heaven is moving toward us as the dynamic opposite of " the form of this world that is even now passing away"(1 Cor 7:31)? Heard as gospel news, is heaven that which is now coming to pass, in contrast to that which is passing away? And is it in this moving contrast that we see and deal with the world as it really is, the world in which Paul could say, "The Lord is at hand" (Phil 4.5)? All of these questions are faithfully and profoundly analyzed by Morse as, speaking of heaven Biblically, he notes that "we are called to be on hand for that which is at hand but not in hand, an unprecedented glory of not being left orphans but of being loved in a community of new creation beyond all that we can ask or imagine.' — J. Louis Martyn, Union Theological Seminary, New York, NY, USA.

(J. Louis Martyn)

'Refusing to believe that heaven refers primarily to the afterlife or is rendered meaningless by scientific knowledge, Christopher Morse considers the difference heaven makes for understanding the Gospel. As in his previous book, Not Every Spirit, Morse is a master at analyzing the internal logic of Christian belief and uncovering how our convictions inform Christian identity and responsible action. By reading this book scholars, preachers, and students will gain new insight into the difference heaven makes in their own theological reflections and practices.' — Nancy J. Duff, Princeton Theological Seminary, NJ, USA. (Nancy J. Duff)

'This will appeal to ordinary readers and preachers as well as scholars.' (Church Of England Newspaper)

'This is a very interesting book, which engages a deep and complex issue in a way which is thoroughly engaged with a breadth of scholarship whilst remaining accessible and readable. It repays careful and thoughtful reading, and will stimulate reflection in creative ways.' (Regent's Reviews)

'This dynamic interpretation of heaven is worth much consideration.'

'Those who wrestle with speaking of God today will find a powerful stimulus in Christopher Morse's tightly argued contribution to biblical and systematic theology. Small shifts of language open up new vistas on the credibility of Christian hope and human life shaped by it, drawing the reader into an intimate and life-enhancing conversation.’ – Robert Morgan, Linacre College, Oxford, UK (Sanford Lakoff)

'Tracing the contours of that heaven of which the gospel tells, Christopher Morse shows himself once again to be a consummate teacher of the art of discernment. Gently, boldly, clearly and profoundly, he helps us to hear afresh the good news about heaven's coming for the sake of a more vivid faith, courageous service and abiding hope. The result is a work of distinctive value to scholars, students and preachers. Surely we may count Morse amongst those students of the scriptures who, having gone to school with the kingdom of heaven, bring forth treasures both new and old. For this book is just such a treasure.' - Philip G. Ziegler, University of Aberdeen (Sanford Lakoff)

'The church hears every week the references to heaven that abound in scripture and in Christian prayers and confessions. Members of the church also hear and employ in their own conversation references to heaven that are fundamentally at home in our general culture. How are we to relate to one another these two sets of references with their significant differences? Consider, for example, the matter of movement. Leaving behind infantile, otherworldly visions of golden streets and spacious mansions in the sky, are we still to focus our attention on our own journey, thinking however metaphorically of heaven as the better place to which we hope to go when we die? Or in the context of God’s own good news, do we confess a radically different line of movement? When we confidently pray, “Thy kingdom come, ”do we confess that in God’s gracious initiative heaven is now coming toward us, being the state of affairs that is “at hand” in the sense of its taking shape among us now as the determining constituent of the real world? And does it follow that instead of having as its fundamental opposite a hell that is the dreaded hereafter, heaven is moving toward us as the dynamic opposite of “ the form of this world that is even now passing away”(1 Cor 7:31)? Heard as gospel news, is heaven that which is now coming to pass, in contrast to that which is passing away? And is it in this moving contrast that we see and deal with the world as it really is, the world in which Paul could say, “The Lord is at hand” (Phil 4.5)? All of these questions are faithfully and profoundly analyzed by Morse as, speaking of heaven Biblically, he notes that “we are called to be on hand for that which is at hand but not in hand, an unprecedented glory of not being left orphans but of being loved in a community of new creation beyond all that we can ask or imagine.’ – J. Louis Martyn, Union Theological Seminary, New York, NY, USA.

(Sanford Lakoff)

'Refusing to believe that heaven refers primarily to the afterlife or is rendered meaningless by scientific knowledge, Christopher Morse considers the difference heaven makes for understanding the Gospel. As in his previous book, Not Every Spirit, Morse is a master at analyzing the internal logic of Christian belief and uncovering how our convictions inform Christian identity and responsible action. By reading this book scholars, preachers, and students will gain new insight into the difference heaven makes in their own theological reflections and practices.’ – Nancy J. Duff, Princeton Theological Seminary, NJ, USA. (Sanford Lakoff)

'This will appeal to ordinary readers and preachers as well as scholars.’ (Sanford Lakoff)

'This is a very interesting book, which engages a deep and complex issue in a way which is thoroughly engaged with a breadth of scholarship whilst remaining accessible and readable. It repays careful and thoughtful reading, and will stimulate reflection in creative ways.’ (Sanford Lakoff)

'This dynamic interpretation of heaven is worth much consideration.’

About the Author

...

Most helpful customer reviews

17 of 18 people found the following review helpful.
Insightful and surprising treatment of heaven
By Matthew Marston
I was a little surprised to see this book on heaven from a Union Seminary professor. Though I grew up speaking about heaven, in seminary I learned to prefer words like Kingdom/Reign of God, eschaton, God's good future, etc. This book is an excellent treatment of heaven, viewing it as the world "coming to pass" in contrast to the things "passing away." Morse's exegetical arguments are stimulating and fresh. He shows how altering our language slightly (heaven is "at hand" but not "in hand") brings clarity and makes better sense of the New Testament than other approaches. Morse writes with great care; every word matters. The book should be read slowly and probably twice.

In some ways, Morse's approach is similar to NT Wright's in SURPRISED BY HOPE. Morse's account is more rigorous theologically and philosophically, which also makes it more difficult reading, but more rewarding too. I recommend it for people who find the language of heaven uncomfortable and naive-this book might change your mind. And for Christians who believe heaven is only about the afterlife, this book will help clarify what the Bible says and does not say. Morse invites us all to rethink and rehear the news about heaven and to live in response.

2 of 2 people found the following review helpful.
A Fine Contribution from a Fine Theologian
By Dorothy W. Martyn
Review of The Difference Heaven Makes

This book is a long needed illumination for at least two different readerships: 1) for scholars and teachers and preachers who can follow the carefully researched revisiting of the subject of "Heaven," as it is used in the Bible and in the history of Christian theological discourse, and 2) for the more ordinary Christians in the pews of churches of all varieties who have been caught in the dilemma between "believin' what you know ain't true," as one little boy defined "faith," and dismissing the entire subject as superstition and wishful thinking. There are thousands of otherwise intelligent people who still speak of golden streets and a literal place where persons are supposed to go after death if they pass muster.

I am speaking for the latter group, that is to say, ordinary Christians who think of themselves as believers who are in the dark about Heaven.

The lightning bolt that struck me first was the real meaning of "Thy Kingdom Come," in "The Lord's Prayer," which all of us Christians have sounded in unison every Sunday since childhood. After reading the first two chapters of this book, I saw that what we were asking for was the inbreaking of God's realm of love into our day TODAY, not in some distant never-never land. This insight has enriched and deepened my own praying, and has helped me in prayer for others. Miracles of Eternity are marching right into our lives all the time in the garb of ordinary circumstance if we have eyes to see and ears to hear.

The crux of this book, as I understand it, is the identification of what constitutes the "real world." It is a commonplace among us to think and speak of "Heaven" as a hazy, pie-in-the sky idea, as opposed to our "real everyday world," where we can see, touch, and experience life as intelligent, rational beings. The fact is, as Morse compellingly presents it, is that this present world is passing away: As Emily Dickinson puts it:
"...
A firm appearance still inflates
The card--the chance--the friend--
The spectre of solidities
Whose substances are sand--"
(from # 1106)

It is God's Eternal Kingdom of Love that is real and undying and is moving in upon us, even as we are dying and passing away. This truth, for me, is most powerfully revealed in the section on the raising of Lazarus from the dead (p.112-122). What is shown here is that God's Kingdom of Love that is breaking in among us is stronger than death and dissolution. This is the Gospel News that makes all the difference in the world.

1 of 1 people found the following review helpful.
Style befits the content
By 1621
This is an excellent book. But one of the pressing challenges in biblical studies concerns accessibility of language, and one of the hesitations a few reviewers have voiced toward Christopher Morse's book -- see Chris Schnekloth's review here -- is that it lacks "prose readable to a wide audience." Chaplain Emily warns that "you better have a dictionary ready." Both of these are complaints about the writer's style, but I think that many thoughtful readers will recognize here a challenge worth taking up rather than a deficiency needing editorial rescue.

Every academic piece ought to have a style that generally conforms to the interests and expertise of its intended readership. It is no weakness in any book - even one that intends to illuminate scripture - that its content does not speak to the widest possible audience. Those who are uninspired by academic precision will probably be puzzled or bored, and they may mistakenly suppose (as Chaplain Emily appears to) that there is nothing but heart-starved headiness in these pages. But that's wrong. The favorable reception this book has received from hundreds of students and parishioners attests to the fact that its audience is wide enough for this book to have a considerable impact. So for them at least, the book's style befits its content.

And as for others,it may be no deep deficiency on any reader's part if s/he cannot fathom a particular style. (Think about discussions over the complexities of Greek exegesis: do only Greek scholars get to heaven? Let's hope not.) St Therese of Lisieux would probably have little interest in a book like Christopher Morse's - and this says nothing about her spiritual status. But then this alone says nothing about the quality of Morse's finished project either. It hardly means that, in a book like this, many might not find just what they are seeking.

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[I248.Ebook] Ebook Wayward, Vol. 1: String Theory, by Jim Zub

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“Wayward is not to be missed.” -- Kirkus

"Masterful and authentic!" - Ain't It Cool News

Rori Lane is trying to start a new life when she reunites with her mother in Japan, but ancient creatures lurking in the shadows of Tokyo sense something hidden deep within her, threatening everything she holds dear. Can Rori unlock the secrets of her power before it's too late?

Jim Zub (Samurai Jack, Skullkickers), Steve Cummings (Legends of the Dark Knight, Deadshot), and John Rauch (Invincible) team-up to create an all-new Image supernatural spectacle that combines the camaraderie and emotion of Buffy with the action and mystery of Hellboy.

This volume collects the first five issues of the acclaimed comic series, Wayward.

• Sales Rank: #100491 in Books
• Published on: 2015-03-25
• Original language: English
• Number of items: 1
• Dimensions: 10.00" h x .40" w x 6.40" l, .63 pounds
• Binding: Paperback
• 144 pages

Most helpful customer reviews

12 of 14 people found the following review helpful.
Gorgeous artwork and setting. Flat story, characters and dialogue.
By Adron
On the surface, Wayward seemed like my kind of book - lovely artwork, interesting setting, cultural mythology inspired themes, cool character designs. Outside of some Twitter recommendations and the brief synopsis, I jumped into this knowing very little about it. Unfortunately, I didn't find it to be a fulfilling or entertaining read.

*** Mild Spoilers Below ***

I wonder if this is the kind of book that really "works" for readers who are newer to comics, who don't recognize the tropes and repetitive story elements. I don't mean to diminish anyone else's enjoyment of the book. If you loved it, that's great. But, for me, all of the story beats were too easy and too familiar: Main character runs into thugs/trouble in an alley; is saved by the perfectly timed intervention of a stranger. Protagonists meet and fight before abruptly deciding to be friends. A "team" is already hastily assembled by the 3rd issue (including the Nikaido character, who joins more-or-less by default with almost zero introduction). It's the comic book version of a D&D starter adventure, just with different stage dressing, with echoes of every classic Marvel Stan Lee tale.

The book carries a "Mature Readers" tag, mostly because of Shirai constant swearing, and Rori's self-destructive way of dealing with stress overload (which is one of the more interesting parts of the story). But nothing about the dialogue or story feels mature. Yes, the characters are teenagers, so maturity in their own characterizations should vary. But the conversations are very flat and VERY on-the-nose. Rori's inner monologues were particularly bothersome in their telling-instead-of-showing manner. (The "OMG, I'm not a leader! What's happening?! Why am I leading?!" section was particularly grating.) The "witty" banter doesn't have any bite. It all feels like a CW TV show aimed at teenagers, just with more F-bombs. The emotional core - feeling displaced in an unfamiliar country; struggling against uncommon circumstances - doesn't have room to breathe as the plot rushes forward.

The last chapter of this first volume ends with some pretty heavy events. But they come too quickly, happening to characters that have had so little development. So the big "shocking" ending doesn't have any weight. That cliffhanger should have made me salivate for the next volume. Instead, it created an easy jumping-off point. I didn't get enough enjoyment from this book to want to spend any more time in this world.

The phrase "Good for you, just not for me" comes to mind here. Wayward may well offer exactly what a lot of readers are looking for. It just didn't entertain me, or inspire any emotional reaction other than mild frustration. The world-building and visual design are very strong, but the story didn't make me care about any of the characters.

6 of 6 people found the following review helpful.
Received two copies of the book, both with pages missing words and ink.
By Cassie Friedman
Double check your book when it arrives, I have received two copies of this book, both with printing errors inside the first chapter. It looks like some of the pages are missing black ink. Hopefully they aren't all like this!

4 of 5 people found the following review helpful.
Very well done urban fantasy graphic novel!
By Karissa Eckert
I got a copy of this graphic novel to review through NetGalley. I was drawn to the cover and then when I read the synopsis I was hooked. This ended up being a well done urban fantasy graphic novel of sorts with beautiful full color illustration.

Rori Lane wants to start a new life with her mother in Japan. She leaves her dad in Ireland and makes her way to Tokyo. When Rori arrives she finds out her mother, who is a seamstress, works a ton and has very odd working hours. So, Rori starts to roam the streets of Tokyo on her own. There she finds out that she can see glowing paths and that dark evil things haunt the streets of Tokyo after dark. She ends up meeting a couple other kids that have strange abilities like her own and they set out to confront the evil on Tokyo’s streets.

I really enjoyed the artwork throughout, the illustration are beautiful and engaging.

Rori goes into Tokyo completely unprepared for the issues her mixed heritage will cause her. She struggles to keep up in school and is pulled aside and told to “do something” about her crazy natural red hair (red hair is frowned upon in school). Rori also has some other issues with loneliness and coping that are just brushed upon in this novel. In one scene she is shown cutting herself in private to feel more real.

While wandering the streets at night she meets a variety of scary monsters that all seem to be based in Japanese mythology. I really enjoyed that Japanese mythology was tied into the story; all these monsters are supposedly the harbingers of something even more evil that it on it’s way.

Rori also meets some other kids who have strange powers like her. There is a cat girl who can communicate with cats and is very acrobatic and a boy who can eat evil spirits and use the energy he obtains from that to fight.

The ending was left pretty open and was a bit confusing. It seems like Rori’s mom is not who Rori thought she was, but all that was left pretty open-ended...so I am assuming we will gain better understanding of that in the next volume.

Overall there was a lot I loved here. I loved the characters and their cool powers and also the creepy monsters based in Japanese mythology. The illustration was top notch and the story was well done (if a bit confusing at the end). I would recommend to young adult and older readers who enjoy creepy urban fantasy type graphic novels.

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Top speechwriter, Simon Lancaster, blends ancient rhetoric and neuroscience to create the ultimate practical guide to the Language of Leadership.

• Sales Rank: #517893 in eBooks
• Published on: 2015-07-30
• Released on: 2015-07-30
• Format: Kindle eBook

Review

'Simon Lancaster is a polymath excellent civil servant, brilliant speech writer, talented musician, and fantastic author. If you want to understand why this description breeches the rhetorical device of tricolon, read this wonderful book.'

-Rt Hon Alan Johnson MP, former Home Secretary

"From substance to style, Winning Minds is an excellent insight into the language of leadership written in the clear yet humorous way that is Simon's hallmark."

-Richard Solomons, CEO, Intercontinental Hotels Group plc

'Simon's book unlocks the secret of how to be a world class communicator and leader in a book that is as entertaining as it is packed with know-how.'

-Darren Childs, Chief Executive Officer, UKTV

'If you need people to care as much as you care, to be moved as much as you are moved and to give as much as you give, read this simple, clear, and effective book.'

-Adrienne Kelbie, Chief Executive, Disclosure and Barring Service

'Winning Minds lays bare with shocking clarity the simple techniques that great communicators use to manipulate our emotions. Give them a go and unleash your hidden leader!'

-Peter Wanless, CEO, National Society for the Prevention of Cruelty to Children

'This brilliant business book is filled with powerful stuff that will change the way you 'think' about language and the way you 'do' leadership. Simon's superb style is somewhere between serious boardroom discussion and a cosy fireside chat. Massively entertaining. Hugely useful. Thoroughly recommended.'

-Mark Swain, Director, Henley Business School

About the Author
Simon Lancaster is one of the world's top speechwriters. He first became a speechwriter in the late 1990s, working for members of Tony Blair's Cabinet. Today, he writes speeches for the CEOs of some of the biggest companies in the world, including Unilever, HSBC and Intercontinental Hotels. Simon is a visiting lecturer at Henley Business School, Cass Business School and Cambridge University. He writes regular columns for Total Politics and The Guardian, as well as providing expert commentary for the BBC and Sky News. His award-winning workshops in the 'Language of Leadership' have been run to great acclaim across the world.

Most helpful customer reviews

2 of 2 people found the following review helpful.
Nothing I can say here will say it better than he has
By C. Papadopoulos
A BOOK that should be read by anyone interested in communicating - I believe that's all of us. How to tell someone about how unique and applicable this book is to understanding how we understand and therefore how we ought to communicate to people. Nothing I can say here will say it better than he has. Simon, is a once in a generation kind of person who can explain something that Western Civilization has been seeking to understand for the last 2,500 years. Buy it, apply it, and enjoy it!!!!

2 of 2 people found the following review helpful.
Great resource
By Andrea Hess
This is a great book, and an entertaining read. So much so that I bought a copy for a friend of mine.

1 of 2 people found the following review helpful.
Five Stars
By Bit
Nice book

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• Sales Rank: #4153423 in Books
• Binding: Hardcover

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